What this is
Sick2 × Rorschach.inc Tokai-Kansai Tour 'SICK RABBIT CIRCUS' is a joint visual kei rock tour bringing together two Japanese acts — Sick2 and Rorschach.inc — for a run of shows across the Tokai and Kansai regions. Visual kei is a distinctly Japanese rock subculture defined by elaborate costumes, theatrical makeup, and high-energy performances that blend hard rock, metal, and pop influences. The tour title 'SICK RABBIT CIRCUS' hints at a theatrical, surreal aesthetic that is central to the visual kei ethos. The Osaka leg takes place at Shinsaibashi CLAPPER, a well-known intimate live house in the heart of the city's music scene.
Who should go
This show is ideal for fans of visual kei, J-rock, and Japanese alternative music who want an up-close, high-energy live experience. The intimate venue setting means the atmosphere will be intense and immersive, with a passionate fanbase that takes the theatrical presentation seriously. Newcomers curious about visual kei culture will find this a genuine and accessible entry point into the scene. Arrive early to secure a good spot on the floor and check the artists' social media for any fan-club ticket pre-sale requirements.
Good to know
Tickets are most likely available via eplus.jp or pia.jp — both accept foreign credit cards, and Lawson convenience store pickup is the easiest option for visitors without a Japanese address. Shinsaibashi CLAPPER is a compact live house with a standing floor, typical capacity in the range of 200–300, which means sightlines are generally good from most positions. Cash is recommended at the venue for drinks and merchandise, as smaller live houses in Japan often do not accept cards at the bar or merch table. Bags larger than a small backpack may need to be checked or stored, so travel light. Show duration for a two-act tour bill like this is typically 90–120 minutes including a short changeover.
This event was sourced and translated from Japanese by What's On Japan. Details may change — verify with the official source before attending.
