What this is
Chet Faker is the stage name of Australian musician Nick Murphy, who blends soul, R&B, electronic, and indie pop into a deeply atmospheric live experience. He rose to international prominence with his 2014 debut album 'Built on Glass,' which topped the Australian charts and earned him widespread critical acclaim. After releasing music under his birth name Nick Murphy for several years, he returned to the Chet Faker moniker in 2019 and has continued releasing brooding, emotionally resonant electronic soul. His Tokyo appearance in September 2026 brings one of Australia's most celebrated contemporary artists to Japan for what is likely to be an intimate and captivating live show.
Who should go
Fans of atmospheric electronic soul, R&B, and artists like James Blake, Bon Iver, or Kaytranada will feel right at home. The crowd tends to skew toward music-savvy adults in their late twenties and thirties who appreciate nuanced, mood-driven performances. The atmosphere is typically warm and attentive rather than rowdy, making it a great night out for couples or small groups. Arrive early to secure a good standing spot, as Chet Faker's shows tend to draw devoted fans who fill venues quickly.
Good to know
The specific venue has not yet been confirmed, but Chet Faker typically performs at mid-capacity clubs and halls in Tokyo such as Zepp DiverCity, Liquid Room Ebisu, or Shibuya O-East — all of which are standing venues with bar areas and hold between 900 and 2,500 people. Tickets will most likely go on sale via eplus.jp or pia.jp, both of which accept foreign credit cards; convenience store pickup at Lawson is the safest option for visitors. Bring cash for merchandise and drinks at the venue, as smaller Tokyo live houses often have limited card facilities at the bar. Show duration for Chet Faker sets is typically 75–90 minutes, and doors usually open one hour before showtime.
This event was sourced and translated from Japanese by What's On Japan. Details may change — verify with the official source before attending.

