What this is
A tiered-ticket one-man live show marking the 'Last Anniversary' of Wodoru Mayonaka, a Japanese act staging what appears to be a milestone or farewell concert under the subtitle 'Unrefrain vol.2' at one of Shibuya's most storied mid-size live houses. The wildly varied ticket pricing — from ¥500 standing tickets up to ¥50,000 premium SS passes — suggests a fan-club-style experience where higher tiers likely include meet-and-greet access, merchandise, or front-row positioning. Club Quattro Shibuya has hosted cult-favourite Japanese acts for decades, giving this show an intimate, emotionally charged setting that suits a 'last anniversary' send-off.
Who should go
Existing fans of Wodoru Mayonaka are the clear audience here — the tiered ticketing structure is designed for dedicated followers willing to invest in premium access. Casual concertgoers can still attend cheaply on a B-ticket, though the atmosphere will be driven by the core fanbase.
Good to know
Tickets are sold through eplus.jp or pia.jp — both accept foreign credit cards, and Lawson convenience store pickup (combini) is the most reliable collection method for visitors without a Japanese address. Club Quattro Shibuya is an all-standing venue on the upper floors of the Parco building, with a capacity of roughly 800; it has a reputation for excellent sound and a close artist-to-audience atmosphere. Doors typically open 30–60 minutes before showtime — arrive early if you hold a general-admission lower-tier ticket, as there is no reserved positioning. The ¥50,000 SS and ¥20,000 S tickets almost certainly carry additional benefits such as priority entry, meet-and-greet, or exclusive merchandise — confirm specifics on the artist's official website or fan club page before purchasing. The venue is cashless-friendly at the bar but bring some cash for merchandise tables, which are common at Japanese one-man lives.
This event was sourced and translated from Japanese by What's On Japan. Details may change — verify with the official source before attending.

